Project not realized in the free span of the Assis Chateaubriand Museum of Art of São Paulo (Masp).
The idea of appropriating the external architecture with hundreds of wooden stilts questioned the museum's institutional sustainability, which was undergoing an administrative crisis.
On the occasion, MASP even had its electricity cut off during the exhibition of the impressionist Edgar Degas and put the integrity of the largest art collection in Latin America at risk.
Project
